Over the past few years I have watched London’s Shoreditch and City-East End design scene explode with creative action and a new rich seam of lettering talent.
No matter where you stand a 360 will bring you up close to some of the best names, newbies and unnamed creatives in the world.
Street art has spat on the ground where the gauntlet was once laid and the national institution of traditional signwriters have been blown away by the new crews.
Or have they?
Pete Hardwick is one of the enduring figures of East London signwriting and still holds court no matter what the rattlers and wipers try to angle at him. His hand remains timeless, slipping accented Romans, classic Johnston, and an array of wonderful scripts, sweetly, deftly without the oft graphic studio superficiality of the young guns.
So how has the sign writing industry changed?
It isn’t an old school lettering industry anymore… as the years rolled by out of WW2 the demand for painting rose through the sixties but experienced a dramatic decline through the mid-eighties and nineties. The digital media bit hard and shook down the industry leaving a handful of writers across town.
Today the true city master writers must be delighted in the revival that is fueling, not only a rash of new projects but a throng of young graphic designers, fully in love with the written letter, keeping the sail full.
Architects and planners too are aligning projects with the brush as part of their approach to renewall.
But arguably (as they say) more than anything else today, the sign industry is reliant on this new cutting edge, street art cult, design mondo to keep the faith and push on – reaching deep and wide for inspiration. Paris, Brussels, Berlin and Milan – to say nothing of the rest of the close knit globus, are brimming with inspiration for designers, and easy to find on the streets and online hubs such as Pinterest, and Behance.
It all happened when 2008 hit home, bursting forever the notion that virtuality is or was, the only way forward as an entrepreneur. What happened was people found themselves walking the streets looking for a break… things got real for a lot of creatives… nay 99% of us.
New Trends
But aside from AI and Instagram, we need not to look at each other personally for inspiration, but find it for and within ourselves. The new era of practice is beckoning something new, not just the staple of wharf blocks, and chiselled drop shade bright bolds, but something far more resonant. It isn’t good enough to base our sights and intentions on what the bloody Victorians did, but to enable the inquisitive, sensitive, cleaving of the clay Thames basin to find the seam of signature: the abundant new.
And it’s there … right there under our nose and via our own socio-cultural research based hunts at NGS. The next 5 years of design inspiration that has surfaced via our own NGS Soho Font Foundry will sustain us a plenty.
Our young letterers must set aside the hand of the mentor, and strive for something groundbreaking… while maintaining the skills of old. Moreover they must dig deep, and nurture the fresh culture of creativity from their relational/cultural hearts, to the outside world.
Importantly we must all understand the important impact socially, attractive, painted shop signs have on the mental wellbeing of members of our faltering communities. Yes it is that important, and fabric of life changing.
Rules were made for breaking – exactly which ones are the difference and as we share the skills we must also share the tender yet powerful inspiration.
But perhaps that seductive thing that attracts so many youngsters to this trade today will be the one thing that inevitably runs it’s course. It is a trade that relies on long days and hard yakka. There’s only so much that can be charged for a day’s work and the salt test is how far the stamina will go as year after year – writing yields a decent living in a world with spiraling expectations and costs. You can’t write with both hands and in ten years the crafts we see today may be struggling once again.
For now it serves as a fantastic practice and creative safety net as so many artists struggle to thrive.
But as the competition rises, design whims change and the market stabalises, the real challenge may be attained by simply being dedicated to maintaining a genuine way to preserve quality and London’s great letters. Because great design truly is one of the three keys to sustaining this revival.
The other two are to be discovered on the drawing board and in the back room, because it is how we work together in a new way which may unravel whether this all proves itself to be a launch haul change. In the past the sense of competition was high yet the market place somewhat different.
Just as the vinyl cutter chopped the industry down in the eighties will the future hold a similar fate entirely down to those that have ironically kindled those embers?
Image Tobias Newbigin and Nick Garrett finishing up another hand painted gem in Shoreditch London.
Shop Signs are freeform jewels again…
These special brand hallmark projects are aglow with creative integrity and have required me to re-visit in far greater detail, the creative processes I have used over the years.
In some ways they have also allowed me to simply write the way I did as an apprentice: Freehand, no measurements, tape just entirely by eye with the merest sketch-up in chalk.
This is the most eloquent way of writing.
A few of us have the skills to make it right… all my guys who I have trained over the years will read this and drool!
But rest assured 40 years of experience is a lifetime of beautiful letters 😉 – you’ll get there if you emulate the passion of the best.
For now we have it covered and look forward to working with you the discerning customer.
N Garrett
Over the past few years I have watched the Shoreditch design scene explode with creative action and a new rich seam of lettering talent.
No matter where you stand a 360 will bring you up close to some of the best names, newbies and unnamed creatives in the world.
Street art has spat on the ground where the gauntlet was once laid and the national institution of traditional signwriters have been blown away by the new crews.
Or have they?
Pete Hardwick is one of the enduring figures of East London signwriting and still holds court no matter what the rattlers and wipers try to angle at him. His hand remains timeless, slipping accented Romans, classic Johnston, and an array of wonderful scripts, sweetly, deftly without the oft streety bullshit of the young guns.
So how has the industry changed?
It isn’t and industry anymore… as the years rolled by out of WW2 the demand for painting rose through the sixties but experienced a dramatic decline through the mid eighties and nineties. The digital media bit hard and shook down the industry leaving a handful of writers across town.
Today the master writers must be delighted in the revival that is fueling, not only a rash of new projects but a throng of young graphic designers fully in love with the written letter keeping the sail full.
Architects and planners too are aligning projects with the brush.
Break out
But arguably (as they say) more than anything else today, the industry is reliant on this new cutting edge cult design mondo to keep the faith and push on – reaching deep and wide for inspiration. Paris, Brussels, Berlin and Milan – to say nothing of the rest of the close knit globus, are brimming with inspiration and easy to find.
It all happened when 2008 hit home bursting forever the notion that virtuality is or was the only way forward as an entrepreneur. What happened was people found themselves walking the streets looking for a break… things got real for a lot of creatives… nay 99% of us.
New Trends
But we need not to look at each other for inspiration but find it for ourselves. The practice is beckoning something new, not just the staple of wharf blocks but something far more resonant. It isn’t good enough to base our sights and intentions on what the bloody Victorians did but to enable the cleaving of the clay basin to find the seam of abundant new.
And it’s there … right there under our nose. The next 5 years of design inspiration that will sustain us a plenty.
Future vision
Our young letterers must set aside the hand of the mentor and strive for something broundbreaking… while maintaining the skills of old. Moreover they must dig deep, and nurture the fresh culture of creativity from the heart to the outside world.
Rules were made for breaking – exactly which ones are the difference and as we share the skills we must also share the tender yet powerful inspiration.
CREATIVE RATES OF PAY
But perhaps that seductive thing that attracts so many youngsters to this trade today will be the one thing that inevitably runs it’s course. It is a trade that relies on decent p[ay for long days and hard yakka.
There’s only so much that can be charged for a day’s work, and the salt test as individual writers, is how far our commercial art stamina will go, year after year – writing yields a decent living in a world with spiraling expectations and costs but burn out can be just round the corner.
You can’t write with both hands and in ten years the crafts we see today may be struggling once again.
For now it serves as a fantastic practice and creative safety net as so many artists struggle to thrive.
But as the competition rises, design whims change and the market stabalises, the real challenge may be attained by simply being dedicated to maintaining a genuine way to preserve quality and London’s great letters. Because great design truly is one of the three keys to sustaining this revival.
The other two are to be discovered on the drawing board and in the back room, because it is how we work together in a new way which may unravel whether this all proves itself to be a launch haul change. In the past the sense of competition was high yet the market place somewhat different.
Just as the vinyl cutter chopped the industry down in the eighties will the future hold a similar fate entirely down to those that have ironically kindled those embers?
Image Tobias Newbigin and Nick Garrett finishing up another hand painted gem in Shoreditch London. Graphic design sign writers NGS London artistic lettering.
Shop Signs are freeform jewels again…
These special brand hallmark projects are aglow with creative integrity and have required me to re-visit in far greater detail, the creative processes I have used over the years.
In some ways they have also allowed me to simply write the way I did as an apprentice: Freehand, no measurements, tape just entirely by eye with the merest sketch-up in chalk.
This is the most eloquent way of writing.
A few of us have the skills to make it right… all my guys who I have trained over the years will read this and drool!
But rest assured 40 years of experience is a lifetime of beautiful letters 😉 – you’ll get there if you emulate the passion of the best.
For now we have it covered and look forward to working with you the discerning customer.
N Garrett
