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 Contact NGS for more info  -  londonsignwriter@yahoo.co.uk

 

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STOPPRESS!!! Congratulations to NGS’s Jack Hollands for earning a First Class Degree yesterday!!! MAKING LONDON MORE BEAUTIFUL

Working Together – on your sign with NGS

PART 2 – … continued from home page

WORKING TOGETHER – keeping the project clear and easy

Communication is everything and starts with detailed sharing of all design information – clarity always transfers across to the finished sign itself so we encourage as much info as possible.

We are highly communicative as project partners and work at getting the preparation just right in order to deliver the painted work without hitch.   It’s the difference… it guarantees a  sensational final product on time.

   -  Fwd your design 

   -  NGS confirm or tweak for visual layout

   -  Final checks on layout style

   -  Writing on site

Organisation lies at the heart of what NGS do – We will schedule you in and keep you there come rain or…

WHATEVER YOU WANT…

CAN DO is very important and I understand that your logo will need care and precision.  

Whether you want sharp cool modern zen-graphic minimalism, or grungy retro vintage lettering, give me a call or email me.

A MAN OF FINE LETTERS – A FINE ART TRAINING COUNTS

Traditional signwriting?? … it’s much more than that today really.  

I am a traditional typeface designer maintaining all the classical beautification of yesteryear, yet today I am executing work in a purely modern design context -

What makes me different from other signwriters is in the words of my clients is Freshness..

There is a secret to how I do it compared to other writers.

Most signwriters started in signwriting and journeyed on from there.  I didn’t.  I started in the Royal Portrait Society and Royal Academy of Art.  But I loved writing at that time more than portraiture.  The intensity of that type of artistry gave me the edge… the secret to the beauty in my lettering is fine art.

And it is a big difference because it will give you quality and success.

… after decades of dedication you start to realise you are a product of your forefathers great efforts.

NGS

… if you need a job doing ask a busy person – I’m busy and I can do your sign next week.  

TOP

Real signwriting is an unbeatable option – it says so much about you.

    –  Real Signwriting has beauty and depth
    –  Signwriting is full of character
    –  Real Signwriting is rich and ages beautifully, still looking stunning after many years


PART 3 Gallery

Some recent works… there’s more!

          -  Fascias

          –  Glass 

          –  Gilding

Thanks for dropping by.

Browse the website and find something you really love then fwd yr email.

Email nickgarrettsigns@gmail.com

PART 4

SITEMAP

Nick Garrett signwriter


Beautiful Painted Signs:  by eye, by hand – 3 decades          TOP

   -   Looking for the best way to attract new customers?

   -   Re-create a hi viz stunning new brand logo?

               or simply just get your name out there?

My traditional hand painted sign writing service delivers a clear beautiful message for you – a quality sign to launch your product and name.  

When I make a sign for someone it is incredibly important because it will play a huge part in building their business 



………..   ..


PART 6

GALLERY – more signs by Nick Garrett

Project design enquiries: 07540096560

Email nickgarrettsigns@gmail.com


 

NGS Signs London

think traditional makers stick at their craft continuously – that is the main defining quality.  But they also embrace useful change that adds to product quality.  If you do something continuously it gets better naturally…

Part 7

A DESIGN HERITAGE:

GREAT GRANDFATHER TO G’SON ALWAYS BY HAND

My legacy proudly includes my distant forefather Hector Linton who whittled up the Cutty Sark.

But I have directly benefited from the guidance of my grandfather and my 3 generation London lettering heritage (see article: Portrait of my grandfather Francis Baker LINK), which will all help us create exactly what you are looking for.

Anything is possible when you work by hand with a real team of professionals.


My writing is always by hand!

#

Christopher Jenner Regent Street

When you see someone string together a length of block letters with a little shadow it fills you with admiration… you can’t admire a vinyl machine cutting letters in that way; and that admiration makes you feel so so good inside. That’s the power of tradition, craftsmanship, artistry an love of what you do

 

Video:  Refining Windsor Bold font…

TOP

 

 ..


 

 or email me:  

   londonsignwriter@yahoo.co.uk      nickgarrettsigns@gmail.com

 


   

Nick Garrett Signs  

Traditional Signwriter London

For Murals, Fascias, Vans, Gilding,

Custom Typeface design, Brand design, logo creation

 


 

TOP

NGS ARE:

           Nick Garrett –  Design, Artistics, Signwriting & Gilding

           Jack Hollands –  In-training. Drawing tech, Signwriting & Gilding

                       Caterina Conforti –  Restoration Gilding (UK/Italy) 

                       Elisa Massari – AutoCad, 3D rendering

“What is a tradition?”

“What is a tradition?”

Browse ?Culture ?Holidays

Are there certain foods your family eats every New Year? What about special greetings for birthdays, or songs to sing on rainy night? – If so, you might be practicing a tradition!
Traditions are practices and beliefs that are passed down between generations of a certain family,culture, or other group. Lots of holidays are associated with traditions, such as watching fireworks on the 4th of July or eating turkey on Thanksgiving. Unlike laws and rules, which we have to observe for our safety and well-being, traditions are usually things we do by choice because they are customary and meaningful. Most traditions are enjoyable things that help people to observe an occasion or feel unified with a certain group, such as their religion, team, or fellow citizens.
The word tradition also implies that a certain practice has been around for some time and is observed regularly. The tradition for a culture to eat specific foods, for example, usually goes back to parents, grandparents, great-grandparents, and beyond! However, new traditions are made all the time and sometimes even replace old traditions. For something to become a tradition, it just has to be done once, and then done again and again after that!

Tennent of a Master Sign Writer

the entity of beauty

… when we blow up a letter on-screen no matter the font
it is only ever a curve or a straight

No vectors – vectors are a sadness and must be lost…

… when we strike the letter from our heart it reveals the entity of utter beauty… there is no purer way and no finer beauty.

When you move the curve you must know the finest moment of perfection.

Many can paint great letters … few can strike them utterly beautifully.

That is what we must do. That is what I do.

However just because the writer wields a brush with scant reference and drawings this does not define automatically the onset of beauty. There are many writers who also lack the experience of visual beauty. The experience of touching, smelling, tasting perfection. Seeing a Massacio or a Da Vinci drawing.

Carving a place close to truth.

This is meditation.

 

The brush sends us into meditation.

Yet we must strive to sharpen the sword… empty the cup.

Love.

Forgive.

Grow.

 

In truth and not by ego.

How else can we write perfectly – unless we embrace imperfection.

And know them as the same.

 

Deep?

 

Yes, but only to the shallow fool.

To the artisan it is the only way.

 

 Where the mind goes the brush follows and where it follows in truth it leads us to great places.

Urbanization is our canvas

Cannabis is terrible for signwriting as it dupes the artist –  never trust this in a visual artist

The city drives us

We must make it beautiful

Using a stencil is the admission of several things… none of them good

I can barely speak of it… such dysfunction must be educated and changed.

 

When it rains wait

When it pours go home

When it is warm – this is the glory of true reward

 

Never expect a sign man to design your sign as part of the work

Pay him well or risk your company’s failure by virtue of your error.

 

Signs are providers of wealth and name.

Without a good truthful sign you will have none.

 

 

NGS case: Barbour new store Leadenhall Market – gilding in the absolute centre of London

This Post is all about Leadenhall Market’s new Barbour store sign gild by Nick Garrett Signwriting – London’s NGS.

NGS case: Barbour new store Leadenhall Market – gilding in the absolute centre of London… local blokes with brushes..

History: The Traditional London Market

The market dates back to the 14th century. Originally a meat, game and poultry market, it stands on what was the centre of Roman London.  A number of commercial retailers are also located in the market, including clothes shops and a pen shop , the newest being the Barbour shop, the subject of this article.

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The ornate roof structure, painted green, maroon and cream, and cobbled floors of the current structure, designed in 1881 by Sir Horace Jones.

An early 20th century view of the market and actual site of our recent project beneath the colonnade, to right hand side

From 1990 to 1991 the market received a dramatic redecoration, enhancing its architectural character and detail. The redecoration scheme received a special mention in the Civic Trust Awards 1994. The market is a Grade II* Listed Building, being listed in 1972.

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Leadenhall Market formed part of the marathon course of the 2012 Olympic Games.

NGS and the Barbour project – Unit 31 L Mkt – Pieces out of the Jigsaw

Jigsaw is about to be painted out forever…

David Wong the director of the market was responsible for putting Andrew Gill of Active Interiors in touch with me regarding the re-paint and new gild of the 6 main fascia panels in this wonderful heritage landmark.

It’s one thing climbing up a ladder in Notting Hill but another planet working on the very architecture that depicts so much in the eyes of the world and her visitors, the essence of traditional London. This project started and continued in a delightfully fun and meaningful way for me as it brought together the very best of what it means to be a truly professional artist… and passing that tradition on. A London signwriter is a London signwriter.

The deadline was fairly tight and after identifying the font style and forming up the layout in perfect space we,the veritable Jack Hollands and myself, arrived on site to commence work brushes in hand.

 

Above: NGS’s Jack Hollands making headway with his first application of gold leaf on oil size.

First task was to clean the fascia and find a good tea maker. That done as we were surrounded but such establishments we started the rub down with wet dry, taking off the existing gilded lettering which read JIGSAW and painting out with grey.

Photo

My wife will be heartbroken…

We were hoping the repaint could have been localised  but the fascia was too faded.

The first thing we argued about however was how the existing lettering was made in the first place… after a couple of minutes I knew previous lettering had been vinyl stencilled and gilded and so we had no remorse in taking down this, as we saw it, the vinyl gilding was a complete waste of opportunity to beautify this Grade II buildings.

How sad that the stencil had invaded such an opportunity at brilliance and craft… we sanded with impunity!

My intention was to make a series of stunning hand gilded sign panels for the client and work had begun.

  • Erect tower
  • Undercoat existing lettering.
  • First coat and cut in to gilded numerals and coach-lining.
  • Second coat same
  • Gold Leaf Lettering
  • Shade

image.jpeg

Hard work and the perfect distraction… Brogue hunting

It had been a while as they say and getting it up was hilarious… the tower that is!  HSS kept us waiting until 2pm on day 1 but once on site we didn’t waste any time in making complete fools of ourselves with lots of tower sections and poles whirling about and not the faintest what with them to do.

There was a lot going on around the place and Jack was seriously on form finding a local Brogue shoe maker which had us gawking through the window at first tea break.

Local inspiration – Pictures tell a truly glorious local story

Working in this harvest of design was the perfect setting to take young Jack’s developing skills quite a way forward and on day 2 I had him start up his own fascia - 

It is amazing what passion for the art can do for a trainee.  His work came on tremendously!!

Standby for Jack’s stunning designing of the new NGS logo and final Degree show work – invitations included.

 

The Lettering

The font we grabbed from a previous photoshoot and formed the title firstly in Photoshop.  The typeface was redrawn to create certain anomalies and poetics such as slightly irregular serifs, shading spans and refinements to the ‘R’ character form.

Layout

I montaged the word Barbour from the letters gathered by Jack’s iPhone and overlaid with Clarendon Bold. This was tweaked to fit the existing letter span.

Finally the characters wer redrawn in PS3 aligning the serifs nad characteristics to the original Leadenhall typeface.

 

The gold to be used was Handover’s, specifically pressed to the requirements of the day.

On start-up the very low working temperature made the 3 Hour Lefranc gold size slow going and difficult to get to open up and flow.

The first batch of gold leaf was rejected and returned for a freshly pressed batch of 23ct 6.75 ton pressure.

Once this problem was corrected with the aid of chocolate and course humour, the gilding went smoothly.

Shading;  The black Oneshot enamel shade was zipped on with a shorter haired writer size 5.

Photo: Sam and Jack

Deserving of only the real thing – Gold Leaf

I was amazed at how many overseas visitors flowed through the market every day and it certainly brought home to me the importance of the City Corporation realising that hand painted lettering is really the only way to go for such a special icon:

The amount of tour groups visiting Leadenhall deserve the real thing. Not the vinyl masking that was used before.  Jack Hollands

 

TM and facts

Work duration for 6 fascias 5.5 days – 3 artists.

Nick Garrett, Jack Hollands, Sam James

Access double staged tower.

Tapes: Frog low tac and Leylands yellow sharp cut.

Enamels: Oneshot.

Orange Gold size: Lefranc from Cornellisons’s

Tea: English Breakfast

Lunch: POD

Beer:  Young’s Bitter

Leaving site finished up left us both feeling hollow and sad… fulfilled, yet yearning for the next big project challenge.

A wonderful week in a wonderful setting – Old London town.

A trip down memo lane/s – NGSigns

OCTOBER 14, 2011

A visual overview of some work I’ve completed over the years, some stories and unsolved mysteries.

My first ever sign was for a tiny antique shop in Herne Hill, London and when my grandfather saw it, (he was a master stone mason and letter cutter) he was quite happy with my quasi home-brew Roman lettering pointing out a couple of errors that I put right – that was in 1975.  

I promptly bought my first fabled Letraset book… wow! I had entered another world.

… TYPOGRAPHY

with jam and bread sign - Lee high rd London Nick Garrett Traditional Signs

Above: November 2011, with Jam and Bread, Lee High Rd., London.

FINE ART Graduation - First major Brewery client: Watney‘s, London

After leaving art college in early 80s I immediately set up a sign-writing studio, first in Streatham then Battersea.

I was very lucky meeting my main career mentor, Ron Bennett .  Ron took me under his wing, was head architect at Watney’s who tasked me with my first gilding job – The Windsor Arms.  The font Cooper Black a really tacky type of 70?s font which I had gilded in my bedroom the next morning and back to him in the afternoon. We worked together for 4 years until his retirement.

Photo

Above:  Sir Alexander Flemming – my second major sign commission to Watney’s in 1981

Taylor Walker Brewery, Benskins and Ind Coop

From there I went on to work with Will Allbrook at Oldham signs and by 1986 had wandered into the world of interiors mastering faux finishes on the way.  I worked on hundreds of pubs though few photos remain.  Mostly fascias and pictorial signs in the gold leaf red shadow hallmark of the group.

Below are a few of the sites I remember working on over those and intervening years.

De Hems

Worked on the De Hems amenity boards and gilded letters, during the 80s for Mike at Taylor Walker who then introduced me to my long standing friend Will Allbrook at Oldham Signs.

http://londonsignwriter.wordpress.com/

The Finsbury Park Tavern mystery 

Where art thou now my fair sign???

Twelve Pins, Finsbury Park, N4 
Made by Ewan-M  http://wiki.worldflicks.org/the_12_pins.html
The empty sign outside this pub on a busy junction by Finsbury Park station. The cannon suggests it was a former Taylor Walker pub, if I’m not mistaken. ()

Ha!! An empty space because it was one of my first great pictorial signs I made for Mike Jacks, the chief designer at Taylor Walker HO Muswell Hill in 1981. It won Best Pub Sign of the year at the Design Centre, Haymarket London, and I guess the panels are now adorning Mikes dining room!!

It was an image of a park keeper sweeping leaves in Autumn, at the park gates on one side and similar elbow on broom pose in Spring on the other.

Mike recruited me to inject fresh ideas and concept across a host of projects sharing his studio in HO.  What a great experience.

Chalk boarding is a lot of fun… below new poster concept for Ted Baker.


Linkedin  Sign Designer and Maker Recommendation

Oldham signs review  William Allbrook

“It was great to bump into Nick again recently on Linked In. In the early eighties I was running the Pub re-signing programme for Oldham Signs in the South East. Nick was a very talented pictorial artist and had his own workshops to build fascias etc. Nick could always be relied upon to come up with original and often stunning designs for pictorials and had a real feel for the genre. He worked hard and did a lot of work for myself and my colleagues dealing with Allied Breweries regional re-branding. His work was always outstanding. Happy memories!” October 17, 2010

Top qualities: Great Results, Personable, Creative

Salutation in London

The Salutation, Kings Street Hammersmith, London

The Salutation was a gild and fix contract which was one of the most challenging as I was given 3 days to complete prep and gild and had to use a 12 kilo Kango hammer drill to get through this wonderful but rock hard antique ceramic fascia…  turned out really well but had me biting my nails to the very last!  It’s what is meant by going the extra mile!

       

Firkin Brewery, London

The Pheonix and Firkin – the original sign we made in 1983 was up for restoration by 2001, but it was just too gone around the edges and this one was intended only as temporary but it looked kinda cool and we all agreed it should stay.

The only time I fell off a ladder at the Pheonix… courtesy of a large plumber rather over sampling the fresh Dog Bolter at 10 in the morning!

Nina Campbell

Nina wanted a nice Roman so she got it with my selection of  Berling… still looking good.  Walked into the upper studio where Nina was having her photo taken by Lord Snowdon who abruptly turned around to me and said in his wonderful voice… “Haven’t we met before somewhere dear chap?”

Standing atop my ladder rolling up and woodbine and Ringo Star sauntered past… “You tayke it eaoisy up therr yer hear me!”

Just down the street from Nina is Dragons of Walton Street the esteemed nursery painted furniture shop and the title line choice here was Windsor bold.

 

Chelsea Green and the Pie Man … fascia and glass writing.

Stacks of pictorial signs for Benskins, Watneys and Taylor walker breweries.

   

The Arterie E. Dulwich and Sign of the Times, Chelsea.

Ted Baker 2011

Ted Baker Bluewater shop Nov 2011

November 2011, the new flagship store about to open 11 11 11 – Bluewater Kent.

Lots of wonderful signs here in this extraordinary retail design project.

Nick Garrett Fine Signwriter

http://londonsignwriter.wordpress.com/

Related articles

Something you should know about a great sign…

A client said to me yesterday  

… but it is very expensive… we can’t afford it.

NGS reply:

The only expensive sign is a cheap one – because it fails you,

… misrepresents you and portrays you as second rate. It attracts the wrong customer base which raises the likelihood of contractual problems and at worst a bad client will one day dishonour you.

It will take you on a rocky path when going that bit extra would have brought you to the road of success… and much more.

There is nothing like calculating correctly, a measure of going forward risk and experiencing immediate success entirely on the back of your own sound business judgement. A good sign EARNS for you, it costs you nothing.

NGS will portray your own success and for years to come, your sign will become your greatest sales asset and marketing partnership.

Great signs therefore cost???

(ask me for terms and payment options – I can spread a payment over 3 months)

CASE: Sign renewal for Sylvanian Families in Arsenal

Sylvanian Families, Traditional signwriting the shop fascia – NGS

Posted by 

The fascia sign renewal for Sylvanian Families in Arsenal is all going fair dinkum as they say … rub down 2 coats of Dulux undercoat.. 2 coats of Dulux satin top and the lettering followed rounding off a good day out in Arsenal…

Above: start of day 2

…and then

Day 2: finish lettering – double coat and pin stripe

Day 3: add high and low light lining

Above:  NGS – Finished with highlight and shade signwriting – framed up with double pin stripes.

Related articles
POPULAR CATEGORIES

"Nick gave us a bespoke service and re-created our brand logo precisely for our original shop launch.

We do not hesitate in recommending his services as a professional gilder and signwriter"

Nina Campbell Interiors London




“Nick is a superb illustrator/signwriter. Professional, knowledgeable and easy to work with.

He took our brief, developed it and then executed it beautifully. You can see his work of art at our new POD on Queen Victoria St.''

Alex Maynard, Marketing Director at POD FOOD.


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